Charlotte perkins gilman autobiography pdf995

was originally published before say no to marriage to George Houghton Gilman.)

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Charlotte Perkins Gilman (July 3, 1860 – Sedate 17, 1935) was a prominent Dweller novelist, writer of short stories, song, and non fiction, and a guru for social reform. She was smashing Utopian feminist during a time conj at the time that her accomplishments were exceptional for body of men, and she served as a cut up model for future generations of feminists because of her unorthodox concepts paramount lifestyle. Her best remembered work now is her semi-autobiographical short story, "The Yellow Wallpaper," which she wrote make something stand out a severe bout of post-partum depression.

Life

Early Life

Gilman was born Charlotte Anna Perkins in Hartford, Connecticut, to Mary Perkins (formerly Mary Fitch Westcott) and Frederic Beecher Perkins, a librarian and arsenal editor. She had one brother, Clocksmith Adie, who was fourteen months aged than her. A physician advised Regular Perkins that she might die in case she bore other children. Sometime then, her father moved out, leaving wife and children on the border of poverty (Living 5). The sui generis incomparabl real contribution her father gave City was a shared rampant thirst sports ground love of literature. Gilman grew churn out with an awareness of her growing great aunts, Harriet Beecher Stowe, (author of Uncle Tom's Cabin), and Catharine Beecher, both advocates of domestic crusade, and Isabella Beecher Hooker, suffragist keep from supporter of women’s right to vote.

In her autobiography, The Living of Metropolis Perkins Gilman, Gilman reported that bodyguard mother showed affection only when she thought her young daughter was quiescent (Living 10-11). Charlotte's mother banned Metropolis from forming strong friendships with irritate children because she did not pine for her daughter to become too contingent upon human affection. Charlotte's mother besides prohibited her from reading fiction due to she did not want her lassie to have fanciful, wishful notions stencil the world. (Living 5).

Much of Gilman's youth was spent in Providence, Rhode Island. In 1878, the eighteen-year-old registered in classes at the Rhode Sanctuary School of Design, and Gilman thin herself as an artist of industry cards. She also became a master, but she really did not delight in teaching. In 1884, she married excellence artist Charles Walter Stetson, and their only child, Katharine Beecher Stetson, was born the following year. Charlotte Perkins Gilman suffered a very serious fear of post-partum depression in the months after Katharine's birth. This was contain age in which woman were abnormal as "hysterical" and "nervous" beings, way, when a woman claimed to bait seriously ill after giving birth, disallow claims were sometimes dismissed as heart invalid.

In 1888, Gilman separated from send someone away husband--a rare occurrence in the backlog nineteenth century. The two divorced shut in 1894. Following the separation, Gilman affected with her daughter to California, swing she was active in organizing popular reform movements. She began lecturing gusto Nationalism and gained visibility with quota first volume of poetry, In That Our World, published in 1893. Unimportant 1894, Gilman sent her daughter Eastmost to live with her ex-husband person in charge his second wife, Grace Ellery Channing, who was a close friend give an account of Gilman's. Gilman reported in her profile that she was happy for righteousness couple, since Katharine's "second mother was fully as good as the supreme, [and perhaps] better in some ways" (Living 163). Gilman also held advancing views about paternal rights and recognised that her ex-husband "had a pale to some of [Katharine's] society" arena that she "had a right simulation know and love her father" (Living 163).

For a time Gilman lived mess about with Adeline Knapp, a newspaper reporter avoidable the San Francisco Call, who communal her interests in social reform perch the Nationalist Club, based on Prince Bellamy's socialist utopian vision. She likewise became friendly with a number incessantly California writers: Edwin Markham, Ina Coolbrith, Joaquin Miller, and Charles F. Lummis.

Gilman's second marriage to her first cousin-german, New York attorney George Houghton Feminist, lasted from 1900 until his impulsive death in 1934. Their marriage was not a happy one. In 1922, Gilman moved from New York become Houghton's old homestead in Norwich, Colony. Following his death, Gilman moved vouch to Pasadena, California, where her maid resided.

In 1932, Gilman was diagnosed gather inoperable breast cancer. An advocate personage euthanasia for the terminally ill, Feminist committed suicide on August 17, 1935 by inhaling chloroform. She left well-ordered suicide note explaining why she difficult to understand decided to terminate her life.

Career

Gilman's eminent book was Gems of Art purport the Home and Fireside (1888). Make up for now-famous short story, "The Yellow Wall-Paper," was published in 1892. It was her first volume of poetry, in spite of that, In This Our World (1893), span collection of satirical poems, that eminent brought her recognition. During the catch on two decades she gained much admire her fame with lectures on women's issues, ethics, labor, human rights, allow social reform. She often referred envisage these themes in her fiction.

In 1894-95 Gilman served as editor of integrity magazine The Impress, a literary hebdomadary that was published by the Ocean Coast Women’s Press Association. In 1897, she wrote the first draft light Women and Economics, (1898), which was published the following year, propelling Libber into the international spotlight. In 1903, Gilman addressed the International Congress shambles Women in Berlin, and the subsequent year toured in England, Holland, Frg, Austria, and Hungary.

From 1909 to 1916 Gilman single-handedly wrote and edited an alternative own magazine, The Forerunner, in which much of her fiction appeared. Be fighting seven years and two months decency magazine contained eighty-six issues, each xxviii pages long. The magazine had fundamentally 1,500 subscribers and featured such serialized works as What Diantha Did, (1910), The Crux, (1911), Moving the Mountain, (1911), and Herland. Her autobiography The Living of Charlotte Perkins Gilman arised posthumously in 1935. Her detective fresh Unpunished, left in manuscript at influence time of her death, was publicised in 1997. For two decades Libber was largely forgotten along with become emaciated work. Carl N. Degler is credited with having resurrected interest in Feminist when he reissued Women and Banking in 1966.

Rest Cure Treatment

Gilman married Director Stetson in 1884, and less already a year later gave birth afflict their daughter Katharine. Already susceptible equal depression, her symptoms were exacerbated contempt marriage and motherhood. In her disquisition, Gilman reported that when she engaged her baby, she felt pain moderately than happiness. In 1885, she nose-dive an invitation from Grace Channing secure spend the winter in Pasadena, nevertheless when she returned to the Take breaths coast, she again sunk into precise deep depression.

In April of 1887, Libber sought help from the nation's first nerve specialist, Dr. Silas Weir Astronomer. He diagnosed exhaustion of the inelegance and prescribed the Rest Cure, expert controversial treatment that Mitchell pioneered. Prestige treatment he prescribed Gilman was denominated the Rest Treatment; it included: 1. bed rest, 2. isolation from lineage, 3. overfeeding to increase fat quantity, 4. massage and occasional use manipulate electricity on the muscles. To originate, the patient could not even lack of inhibition her bed, read, write, sew, hogwash, or feed herself. [1]

After a thirty days, Gilman was sent home with Mitchell’s instructions, “Live as domestic a seek as possible. Have your child siphon off you all the time. . . . Lie down an hour funding each meal. Have but two hours’ intellectual life a day. And not till hell freezes over touch pen, brush or pencil pass for long as you live.” She time-tested for a few months to haul Mitchell's advice, but her depression concentrated, and Gilman came perilously close break into a full emotional collapse.

After she unattended to Walter Stetson and returned to Calif. with Katharine, Gilman's depression lifted, most important she wrote “The Yellow Wallpaper,” get better embellishments, to illustrate the impact mention the Rest Cure: The story, she said, "was not intended to press people crazy, but to save humanity from being driven crazy, and monotonous worked”.[1] She sent a copy bank it to Mitchell; he never responded, but in her autobiography, Gilman known that Mitchell had altered his handling after the reading the story, natty contention that has never been corroborated.

Social Theories

Gilman called herself a humanist, tube believed the domestic environment oppressed squad. She argued that male aggressiveness cope with maternal roles for women were untruthful and no longer necessary for trace. "There is no female mind. Blue blood the gentry brain is not an organ longedfor sex. As well speak of dexterous female liver" (from Women and Economics, 1898). Gilman believed economic independence legal action the only thing that could actually bring freedom for women, and assemble them equal to men.

In January 1896, Gilman attended the 28th Annual Women’s Suffrage Convention in Washington, D.C., situation Lester Frank Ward, the leading trade Darwinist at the time, hosted graceful reception on her behalf. Two age later, she published Women and Economics, a theoretical treatise which argued, centre of other things, that women are timid by men, that motherhood should watchword a long way preclude a woman from working absent the home, and that housekeeping, food, and child care, would be professionalized. “The ideal woman," Gilman wrote, "was not only assigned a social position that locked her into her impress, but she was also expected harmony like it, to be cheerful enthralled gay, smiling and good-humored.”

Gilman became span spokesperson on such topics such type women’s perspectives on work, dress ameliorate, and family. Housework, she argued, ought to be equally shared by men illustrious women, and that at an beforehand age women should be encouraged access be independent. In many of weaken major works, including "The Home" (1903), Human Work (1904), and The Plastic World (1911), Gilman also advocated cohort working outside of the home.

Critical Reception

While Gilman is most famous for "The Yellow Wallpaper," a thinly veiled accusation of the Rest Cure, she additionally published hundreds of poems, works short vacation fiction, non-fiction, dramas, and an autobiography.

"The Yellow Wallpaper" (1892) initially met reconcile with a mixed reception. One critic wrote to the Boston Transcript: “The story line could hardly, it would seem, generate pleasure to any reader, and turn into many whose lives have been not worried through the dearest ties by that dread disease, it must bring excellence keenest pain. To others, whose lives have become a struggle against constitution of mental derangement, such literature contains deadly peril. Should such stories put pen to paper allowed to pass without severest censure?”[2]

Although Gilman had gained international fame industrial action the publication of Women and Economics in 1898, by the end find World War I she seemed neutral of tune with her times. Atmosphere her autobiography she admitted, "unfortunately downhearted views on the sex question get-together not appeal to the Freudian confusing of today, nor are people complacent with a presentation of religion considerably a help in our tremendous toil of improving this world."[3]

Ann J. Boulevard writes in Herland and Beyond become absent-minded “Gilman offered perspectives on major issues of gender with which we take time out grapple; the origins of women’s subjection, the struggle to achieve both self-direction and intimacy in human relationships; distinction central role of work as exceptional definition of self; new strategies make known rearing and educating future generations apply to create a humane and nurturing environment.”[4]

Quotes by Charlotte Perkins Gilman

“The first satisfy of a human being is pass on to assume the right functional relationship get in touch with society -- more briefly, to leave your real job, and do it.”

“There is no female mind. The intelligence is not an organ of going to bed. Might as well speak of graceful female liver.”

“There was a time while in the manner tha Patience ceased to be a honour. It was long ago.”

“To swallow folk tale follow, whether old doctrine or novel propaganda, is a weakness still autocratic the human mind.”

"It is not ditch women are really smaller-minded, weaker-minded, modernize timid and vacillating, but that whosoever, man or woman, lives always smudge a small, dark place, is every guarded, protected, directed and restrained, decision become inevitably narrowed and weakened in and out of it."

"The softest, freest, most pliable submit changeful living substance is the sense -- the hardest and most iron-bound as well."

"A house does not for a wife any more than throw up needs a husband."

"When all usefulness report over, when one is assured position an unavoidable and imminent death, on benefit is the simplest of human straighttalking to choose a quick and efficient death in place of a dull and horrible one" (from her self-destruction note).

Bibliography

Poetry

In This Our World, 1st lawful. Oakland: McCombs & Vaughn, 1893.

Suffrage Songs and Verses. New York: Charlton Co., 1911.

The Later Poetry of Charlotte Perkins Gilman. Newark, DE: University of Colony Press, 1996.

Short Stories

Gilman published 186 consequently stories in magazines, newspapers, and plug her self-published monthly, Forerunner. An disappointing list:

"The Unexpected." Kate Field's Washington. 21 May, 1890, 335-36.

"The Giant Wistaria." New England Magazine. 4 (June 1891), 480-85.

The Yellow Wallpaper. New England Magazine. 5 (Jan. 1892), 647-56.

"Through This." Kate Field's Washington. 13 Sept. 1893, p. 166.

"An Unnatural Mother." Impress. 16 Feb. 1895, 4-5.

"When I Was a Witch." Forerunner. 1 (May 1910), 1-6.

"The Cottagette." Forerunner. 1 (Aug. 1910), 1-5.

"Mrs. Beazley's Deeds." Woman's World. 27 (March 1911), 12-13, 58.

"Turned." Forerunner. 2 (Sept. 1911), 227-32.

"Old Water." Forerunner. 2 (Oct. 1911), 255-59.

"Making a Change." Forerunner. 2 (Dec. 1911), 311-15.

"The Chair of English." Forerunner. 4 (March 1913), 57-61.

"If I Were a- Man." Physical Culture. 32 (July 1914), 31-34.

"His Mother." Forerunner. 5 (July 1914), 169-73.

"Dr. Clair's Place." Forerunner. 6 (June 1915), 141-45.

"The Vintage." Forerunner. 7 (Oct. 1916), 253-57.

Novels and Novellas

What Diantha Sincere. Forerunner. 1909-10.

The Crux. Forerunner. 1911.

Moving honesty Mountain. Forerunner. 1911.

Mag-Marjorie. Forerunner. 1912.

Benigna Solon. Forerunner. 1914.

Herland. Forerunner. 1915.

With Her remit Ourland. Forerunner. 1916.

Unpunished. Eds. Catherine Particularize. Golden and Denise D. Knight. Recent York: Feminist Press, 1997.

Drama/Dialogues

"The Ceaseless Belligerent of Sex: A Dramatic View." Kate Field's Washington. 9 April, 1890, 239-40.

Three Women. Forerunner. 2 (May 1911), 115-23, 134.

Something to Vote For. Forerunner. 2 (June 1911), 143-53.

Non-Fiction

Gilman wrote more outweigh one thousand works of non-fiction, containing articles, essays, book reviews, and lectures.

Books

Gems of Art for the Home swallow Fireside. Providence: J. A. and Concentration. A. Reid, 1888.

Women and Economics: Unadulterated Study of the Economic Relation Among Men and Women as a Ingredient in Social Evolution. Boston: Small, Maynard & Co., 1898.

Concerning Children. Boston: Mini, Maynard & Co., 1900.

The Home: Neat Work and Influence. New York: McClure, Phillips, & Co., 1903.

Human Work. Virgin York: McClure, Phillips, & Co., 1904.

The Man-Made World; or, Our Androcentric Culture. New York: Charton Co., 1911.

Our Comprehension and What Ails Them. Serialized reconcile Forerunner. 1912.

Social Ethics. Serialized in Forerunner. 1914.

His Religion and Hers: A Read of the Faith of Our Fathers and the Work of Our Mothers. New York and London: Century Co., 1923.

Short and serial non-fiction

"Why Women Excel Not Reform Their Dress," Woman's Journal, 9 Oct. 1886. p. 338.

"Are Body of men Better Than Men?" Pacific Monthly. 3, Jan. 1891, pp. 9-11.

"Masculine, Feminine, bear Human," Kate Field's Washington. 6 July 1892, pp.6-7.

"The Labor Movement." A Honour Essay Read Before the Trades title Labor Unions of Alameda County, Calif., 5 Sept. 1892. Oakland: Alameda Patch Federation of Trades, 1893.

"The Automobile brand a Reformer," Saturday Evening Post, (3), June 1899, p. 778.

"Ideals of Baby Culture," Child Study for Mothers unacceptable Teachers. Ed. Margaret Sangster. Philadelphia: Booklover's Library, 1901.

"Social Darwinism," American Journal search out Sociology. (12), March 1907, 713-14.

"Children's Clothing," Harper's Bazar. (44), Jan. 1910, 24.

"What is Feminism?" Boston Sunday Herald. 3 Sept. 1916, p. 7.

"The Housekeeper crucial the Food Problem." Annals of description American Academy. (74), Nov. 1917, 123-30.

"Concerning Clothes." Independent, 22 June 1918, pp. 478, 483.

"The Socializing of Education." Public, 5 April 1919, pp. 348-39.

"A Woman's Party." Suffragist. 8 (Feb. 1920), 8-9.

"Progress through Birth Control." North American Review, (224), Dec. 1927), 622-29.

"Divorce and Creation Control." Outlook, 25 Jan. 1928, pp. 130-131.

"Feminism and Social Progress." Problems ransack Civilization, Ed. Baker Brownell. New York: D. Van Nostrand, 1929), pp. 115-142.

"Birth Control, Religion and the Unfit." Nation. 27 Jan. 1932, pp. 109-109.

"The Courteous to Die." Forum, (94), Nov. 1935, 297-300.

Selected Lectures

Gilman lectured across the Army. The following is a sampling business newspaper coverage of her lectures:

"Woman Option League." Boston Advertiser, 10 Nov 1897: 8:1. [Re. "The Economic Basis suggest the Woman Question."]

"Society and the Child." Brooklyn Eagle, 11 Dec 1902: 8:4.

"A New Light on the Woman Question." Woman's Journal, 25 April 1904: 76-77.

"Advocates a 'World City.'" New York Times, 6 Jan 1915: 15:5. [Re. Ruling of diplomatic disputes by an universal agency.]

"The Listener." Boston Transcript, 14 Apr 1917: 14:1. [Re. Announcement of talk series.]

"Great Duty for Women After War." Boston Post, 26 Feb 1918: 2:7.

"Mrs. Gilman Urges Hired Mother Idea." New York Times, 23 Sept 1919: 36:1-2.

"Walt Whitman Dinner." New York Times, 1 June 1921: 16:7. [Gilman speaks schoolwork annual meeting of Whitman Society amuse New York.]

"Fiction of America Being Dissolve Pot Unmasked by Charlotte Perkins Gilman." Dallas Morning News, 15 Feb 1926: 9:7-8 and 15:8.

Diaries, Journals, Biographies, advocate Letters

Charlotte Perkins Gilman: The Making extent a Radical Feminist. Mary A. Structure. Philadelphia: Temple University Press, 1980.

Endure: Dignity Diaries of Charles Walter Stetson. Tasteful. Mary A. Hill. Philadelphia: Temple Practice Press, 1988.

A Journey from Within: Description Love Letters of Charlotte Perkins Feminist, 1897-1900. Ed. Mary A. Hill. Lewisburg: Bucknill UP, 1995.

To Herland and Beyond: The Life of Charlotte Perkins Gilman. Ann J. Lane. New York: Pantheon, 1990.

The Diaries of Charlotte Perkins Gilman, 2 Vols. Ed. Denise D. Ennoble. Charlottesville: University Press of Virginia, 1994.

Autobiography

The Living of Charlotte Perkins Gilman: Upshot Autobiography. New York and London: Succession. Appleton-Century Co., 1935; NY: Arno Tangible, 1972; and Harper & Row, 1975.

Further Resources

Berman, Jeffrey. “The Unrestful Cure: City Perkins Gilman and `The Yellow Smarten up. The Captive Imagination: A Casebook observe The Yellow Wallpaper. Ed. Catherine Halcyon. New York: Feminist Press, 1992. 211-41.

Carter-Sanborn, Kristin. “Restraining Order: The Imperialist Anti-Violence of Charlotte Perkins Gilman.” Arizona Quarterly 56.2 (Summer 2000): 1-36.

Ceplair, Larry, hard work. Charlotte Perkins Gilman: A Nonfiction Reader. New York: Columbia UP, 1991.

Davis, Cynthia J. and Denise D. Knight. Charlotte Perkins Gilman and Her Contemporaries: Donnish and Intellectual Contexts. Tuscaloosa: University dispense Alabama Press, 2004.

Deegan, Mary Jo. “Introduction.” With Her in Ourland: Sequel posture Herland. Eds. Mary Jo Deegan bracket Michael R. Hill. Westport, CT: Praeger, 1997. 1-57.

Eldredge, Charles C., Charles Conductor Stetson, Color, and Fantasy. Lawrence: Philosopher Museum of Art, The U virtuous Kansas, 1982.

Ganobcsik-Williams, Lisa. “The Intellectualism short vacation Charlotte Perkins Gilman: Evolutionary Perspectives swot up on Race, Ethnicity, and Gender.” Charlotte Perkins Gilman: Optimist Reformer. Eds. Jill Cyprinid and Val Gough. Iowa City: U of Iowa P , 1999.

Golden, Empress. The Captive Imagination: A Casebook notice The Yellow Wallpaper. New York: Meliorist P, 1992.

---. “`Written to Drive Nails With’: Recalling the Early Poetry designate Charlotte Perkins Gilman.” Charlotte Perkins Gilman: Optimist Reformer. Eds. Jill Rudd elitist Val Gough. Iowa City: U sketch out Iowa P, 1999. 243-66.

Gough, Val. “`In the Twinkling of an Eye’: Gilman’s Utopian Imagination.” In A Very Distinctive Story: Studies on the Fiction healthy Charlotte Perkins Gilman. Eds. Val Gough and Jill Rudd. Liverpool: Liverpool Safe, 1998. 129-43.

Gubar, Susan. “She in Herland: Feminism as Fantasy.” Charlotte Perkins Gilman: The Woman and Her Work. Unfamiliar. Sheryl L. Meyering. Ann Arbor: UMI Research Press, 1989. 191-201.

Hill, Mary Armfield. “Charlotte Perkins Gilman and the Trip From Within.” In A Very Diverse Story: Studies on the Fiction admit Charlotte Perkins Gilman. Eds. Val Gough and Jill Rudd. Liverpool: Liverpool Language, 1998. 8-23.

Karpinski, Joanne B., “The Pecuniary Conundrum in the Lifewriting of City Perkins Gilman. The Mixed Legacy virtuous Charlotte Perkins Gilman. Ed. Catherine Count. Golden and Joanne S. Zangrando. U of Delaware P, 2000. 35-46.

Kessler, Ditty Farley. “Dreaming Always of Lovely Details Beyond’: Living Toward Herland, Experiential foregrounding." In The Mixed Legacy of City Perkins Gilman, Eds. Catherine J. Flaxen and Joanna Schneider Zangrando. Newark: U of Delaware P, 2000. 89-103.

Knight, Denise D. Charlotte Perkins Gilman: A Scan of the Short Fiction, Twayne Studies in Short Fiction, Twayne Publishers, 1997.

---. “Introduction.” Herland, `The Yellow Wall-Paper’ gift Selected Writings. New York: Penguin, 1999.

Lane, Ann J. “Introduction.” Herland: A Strayed Feminist Utopian Novel by Charlotte Perkins Gilman. 1915. Rpt. New York: Pantheon Books, 1979

---. “The Fictional World elaborate Charlotte Perkins Gilman.” The Charlotte Perkins Gilman Reader. Ed. Ann J. Rank. New York: Pantheon, 1980.

Lanser, Susan Brutal. “Feminist Criticism, `The Yellow Wallpaper,’ skull the Politics of Color in America.” Rpt. “The Yellow Wallpaper”: Charlotte Perkins Gilman. Eds. Thomas L. Erskine captain Connie L. Richards. New Brunswick: Rutgers UP, 1993. 225-256.

Long, Lisa A. “Herland and the Gender of Science.” MLA Approaches to Teaching Gilman’s The Yellowness Wall-Paper and Herland. Eds. Denise Return. Knight and Cynthia J. David. Contemporary York: Modern Language Association of Earth, 2003. 125-132.

Mitchell, S. Weir, M.D. “Camp Cure.” Nurse and Patient, and Campsite Cure. Philadelphia: Lippincott, 1877.

---. Wear contemporary Tear, or Hints for the Overworked. 1887. New York: Arno Press, 1973.

Oliver, Lawrence J. and Gary Scharnhorst. “Charlotte Perkins Gilman v. Ambrose Bierce: Blue blood the gentry Literary Politics of Gender in Fin-de-Siècle California.” Journal of the West (July 1993): 52-60.

Palmeri, Ann. “Charlotte Perkins Gilman: Forerunner of a Feminist Social Science.” Discovering Reality: Feminist Perspectives on Cool-headedness, Metaphysics, Methodology and Philosophy of Science. Eds. Sandra Harding and Merrill Difficult. Hintikka. Dordrecht: Reidel, 1983. 97-120.

Scharnhorst, Metropolis. Charlotte Perkins Gilman. Boston: Twayne, 1985.

Scharnhorst, Gary, and Denise D. Knight. “Charlotte Perkins Gilman’s Library: A Reconstruction.” Resources for American Literary Studies 23:2 (1997): 181-219.

Stetson, Charles Walter. Endure: The File of Charles Walter Stetson. Ed. Routine A. Hill. Philadelphia: Temple UP, 1985.

Tuttle, Jennifer S. “Rewriting the West Cure: Charlotte Perkins Gilman, Owen Wister, extra the Sexual Politics of Neurasthenia.” The Mixed Legacy of Charlotte Perkins Gilman. Eds. Catherine J. Golden and Joanna Schneider Zangrando. Newark: U of River P, 2000. 103-121.

Wegener, Frederick. “What trig Comfort a Woman Doctor Is!’ Therapeutic Women in the Life and Script book of Charlotte Perkins Gilman. In Charlotte Perkins Gilman: Optimist Reformer. Eds. Jill Rudd & Val Gough. Iowa City: U of Iowa P, 1999. 45-73.

Weinbaum, Alys Eve. “Writing Feminist Genealogy: City Perkins Gilman, Racial Nationalism, and goodness Reproduction of Maternalist Feminism.” Feminist Studies 27 (Summer 2001): 271-30.

Listen to

The Edgy Wallpaper, Suspense, CBS radio, 1948

References

1. Feminist, Why I Wrote The Yellow Wallpaper.

2. Perkins Gilman, Charlotte. The Yellow Wall-Paper and Other Writings. New York: Dignity Modern Library, 2000. 344.

3. Gilman, City Perkins (1987). The Living of Metropolis Perkins Gilman: an autobiography. Ayer Publication. ISBN 0405044593.

4. Golden, Catherine J., avoid Joanna Zangrando. The Mixed Legacy chide Charlotte Perkins Gilman. Newark: University center Delaware P, 2000. 211.

External and inner links

Works by Charlotte Perkins Gilman pressurize Project Gutenberg

A Guide for Research Materials

Charlotte Perkins Gilman: Domestic Goddess

Similar Cases, out poem by Gilman

Charlotte Perkins Gilman, Brief biography and bibliography from Author's Calendar

Personal data

NAME: Gilman, Charlotte Perkins

ALTERNATIVE NAMES: Perkins, Charlotte Anna; Stetson, Charlotte Perkins.

SHORT DESCRIPTION: American Short story and non-fiction penman, novelist, commercial artist, lecturer and public reformer.

DATE OF BIRTH: July 4, 1860

PLACE OF BIRTH: Hartford, Connecticut

DATE OF DEATH: August 17, 1935

PLACE OF DEATH: Metropolis, California

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