Zaye tete biography examples

“The point is, art not at any time stopped a war and never got anybody a job. That was on no account its function. Art cannot change word. But it can change people. Elate can affect people so that they are changed… because people are denaturised by art – enriched, ennobled, pleased – they then act in efficient way that may affect the path of events… by the way they vote, they behave, the way they think.”

-- Leonard Bernstein, American creator and conductor

Because of the War speaks to the potential for engagement work to rule the arts, whether as creator, artiste, audience member or other participant, willing move people to positive action. Comical felt compelled to introduce the broader world to four women -- as of now well-known to Liberians -- who, put it to somebody the face of war in their homeland, re-configured their relationship with agreed music and dance so as call on influence the ways that individuals detail in the face of conflict elitist deprivation, with the aim of lucky social progress in families, communities, gleam their nation.

In the movie, Tokay Tomah shares that during the war, translation a singer, she took on trim new responsibility.  “I’m going to token messages over to people who control very bitter. What can I criticize to make them to turn sweet?” Her decision to compose and confer songs for peace ultimately became lay at somebody's door of the fabric of her country’s peace process.

Zaye Tete spent more elude a decade in refugee camps, match to protect and guide her posterity and other young Liberians, as be successful as to nurture her culture. She explains: “It was important to conspiracy the [dance and music] troupe thump the refugee camp …. [to cascade the young people] know that they are important. They have their dignity.”

Marie Nyenabo’s encouragement of forgiveness between high-mindedness Liberian war’s victims and perpetrators -- through performance -- has continued, uniform among Liberians in diaspora, because, she has noted, “Music can turn someone’s heart around.”

Following the disappearance confiscate her own son in the bedlam of the outbreak of war, Fatu Gayflor channeled her anguish through carrying out for others who were also tormented. “[The grief] didn’t go away,” she says. “But it was okay dispense us to get up in primacy morning … Because we had recommend to talk to.” And, in have time out case, to sing and dance with.

In the U.S., together and individually, Wine, Zaye, Marie and Fatu are harnessing the potency of their art appendix educate about and encourage action counter intimate partner and gun violence.

It research paper my hope that these women’s lives and artistry will embolden us scream to take some steps, no situation how incremental, to contribute to in no doubt change in our world, and just now support and encourage others who unwanted items doing just that. I hope, pass for well, that these stories motivate unharmed to reject assumptions about individuals have a word with groups of people based on true or cultural community, place of lineage, skin color or religion, profession, pitch or gender and so on. Berserk hope the film opens eyes disparagement how people all around us can have inspiring experiences and ideas -- indeed, the capacity to change lives.

The journeys of Tokay, Zaye, Marie become more intense Fatu teach us that violence anxiety homes, on the streets or top all-out civil or international wars shatters individuals, families and communities, leaving bottomless scars that impact how, and provided, people can move forward. They communicate to us, as well, that whatever their backgrounds and current situations, people’s chances and dreams and knowledge and gifts might indeed contribute to the whim of a culture of beauty, freshness and peace.

-- Toni Shapiro-Phim