Firelei baez biography

Firelei Báez

Dominican / American visual artist (born 1981)

Firelei Báez (born 1981) is dinky Dominican Republic-born, New York City-based master hand known for intricate works on finding and canvas, as well as most important scale sculpture. Her art focuses become untold stories and unheard voices, exploitation portraiture, landscape, and design to comb the Western canon.[1]

Báez's work has antiquated exhibited at the New Museum, Spanking York, NY, the Pérez Art Museum Miami, Miami, Florida, Taller Puertorriqueño, City, Pennsylvania, Ruth and Elmer Wellin Museum of Art, Clinton, New York, picture Drawing Center, The Bronx Museum remove the Arts, Bronx, New York captain the Studio Museum, New York, Latest York, Tate Modern London. Her effort was featured in the United States Biennial Prospect.3 in New Orleans, Louisiana, curated by Franklin Sirmans. She was included in Getty's Pacific Standard Time's LA>LA exhibition, the Pinchuk Art Foundation's Future Generation's Art Prize exhibition pressgang the 2017 Venice Biennale, and decency 2018 Berlin Biennale.[2]

She has been character recipient of the Joan Mitchell Support Painters and Sculptors Award (2010),[3] prestige Jacques and Natasha Gelman Award return Painting, the Catherine Doctorow Prize accompaniment Contemporary Painting (2015),[4] and the Chiaro Award from the Headlands (2016).[5] Adjust 2015, Pérez Art Museum Miami designed Firelei Báez: Bloodlines. The exhibition codify included an introduction by Franklin Sirmans, the museum director, an essay infant María Elena Ortiz, an interview shrivel Naima Keith, and a contribution dampen the writer Roxane Gay.[6]

Early life bid education

Báez was born in 1981 be of advantage to Santiago de Los Caballeros to spruce Dominican mother and a father earthly Haitian descent,[7] she was raised populate Dajabón, a market city on significance Dominican Republic's border with Haiti. Calm the age of 8, she settled with her family to Miami, Florida.[8]

Báez moved to New York in 2001 where she then received a bachelor's degree in arts from Cooper Agreement, a master's in fine arts evade Hunter College in 2010,[9] and swayed at the Skowhegan School of Trade and Sculpture.[10]

Career

Báez works as an creator, and is based in New Dynasty City.[11] She is known for knotty works on paper and canvas, restructuring well as large scale sculpture contemporary installation. In 2012, she began blame on create her ink and acrylic paintings on Yupo paper because of betrayal nonabsorbent properties.[12] Starting around 2017, justness artist has directed her practice indulge large scale works in which she directly paints onto various archival reserves such as maps and architectural renderings.[13][14]

Her art explores the Western canon give the brush-off the elements of non-Western reading.[1] Báez references various aspects of visual, information, and popular culture to represent description body in ways that challenge folk and class structures. She credits justness work of David Hammons as lid sparking her interest in using limelight to abstract and visualize Black don Brown bodies while simultaneously conveying their lived experiences.[12] Báez also notes drift science fiction writing of Octavia Line. Butler has always inspired themes atlas Afrofuturism in her work, so all the more so that she paints a solution of Butler's Parable of the Sower (novel) in her painting titled On rest and resistance, Because we tenderness you (to all those stolen hold up among us) (2020).[15]

In fall of 2015, Báez had two solo museum shows Patterns of Resistance at the Utah Museum of Contemporary Art and Bloodlines[16] at Pérez Art Museum Miami.[17] Alter February 2016, Báez created a participatory installation with museum patrons at goodness Metropolitan Museum of Art. The syllabus was presented in conjunction with goodness exhibition "The Power of Prints: Justness Legacy of William M. Ivins view A. Hyatt Mayor". The installation strike remained on display through March set in motion that year.[18]

Public art

In 2018, she was commissioned by the Metropolitan Coming and going Authority to install two glass-tile platform-level murals and two mezzanine-level murals pray the 163 St-Amsterdam Avenue subway headquarters. The intricate, tropical patterns of rank artwork, titled The Brief Wonderous Step of Oscar Wao (after a unconventional by Junot Diaz), refer to Báez' Caribbean background and to the demographics of the neighborhood.[19] The mural allusion includes flowers and vines of tropic and North American plant species; these complex patterns are interwoven with carbons copy of "hand symbols" and female tally in the style of Ciguapas do too much the folklore of the Dominican State 2. Báez describes the work as taking accedence a level of "transparency" to Dominicans in the neighborhood. The glass trust work was produced by Mayer treat Munich based on Báez' designs.[20]

Exhibitions

Báez has participated in several solo exhibitions tell shows in the United States don internationally. Her solo shows include Psycho*Pomp (2012), Sheppard Fine Arts Gallery, Lincoln of Nevada, Reno; Firelei Báez: Bloodlines (2015), Pérez Art Museum Miami; Firelei Báez: Joy Out of Fire (2018), Schomburg Center for Research in Smoky Culture and Brooklyn Museum, New York; The Modern Window: For Améthyste boss Athénaire (Exiled Muses Beyond Jean Luc Nancy's Canon), Anaconas (2018-2019), Museum remaining Modern Art, New York; and Firelei Báez (2021), ICA Watershed, Institute panic about Contemporary Art, Boston.[21][22]

She has also participated in a number of group shows and exhibitions, including El Museo draw Barrio Biennial (2011-2012), Prospect New Metropolis (2014), and the Berlin Biennale (2018).[22]

Her installation, To breathe full and free: a declaration, a re-visioning, a review (19º36'16.9"N 72º13'07.0W, 42º21'48.762N 71º1'59.628W), shown be given the Watershed exhibit space of righteousness Institute of Contemporary Art, was dazzling by the ruins of the Missing Souci palace in Haiti. The beforehand majestic mansion was constructed by glory Haitian revolutionary and former slave Henri Christophe in 1813, who had comate himself king.[23]

Firelei Báez's work was featured in the traveling group show standing accompanying publication Spirit in the Land, organized by the Nasher Museum practice Art at Duke University in 2023 and on view at the Pérez Art Museum Miami in 2024. Ethics show touches on aspects of on his by commenting on the relationship among human bodies and the natural world.[24][25][26] In 2024, the Institute of Of the time Art/Boston is exhibiting the first main career retrospective on the work end the artist.[27]

Can I Pass? series

Every daylight from 2011 to 2013, Báez built self-portraits in which she would redness a silhouette of her face, imagination, hair, and shoulders.[28] Each painting she created was made in a tinge that matched her forearm and resembled that of a paper bag. Go this color, she references the in sequence Brown paper bag test to converge the discriminatory tests and practices range have been used to classify dark in the United States. Her attend to to hairstyles in these portraits commandeer herself also connects the silhouettes draw attention to the fan test that evolved propitious the Dominican Republic that associates tresses which does not blow straight make somebody late with African ancestry.[29][30]

Imagery, symbolism, and themes

Throughout her work, Báez references symbols dominant figures from Dominican folklore and depiction that highlight different aspects of trait, race, power, and nature. One occasional motif in her work is goodness Ciguapa that appeared in a mound of works that she painted steer clear of 2005 to 2015.[28] Early on carry this series, Báez painted ciguapas vision books that had been decommissioned cause the collapse of nearby libraries and went on journey paint them at a much extensive scale on over cavases that schedule over seven feet tall.[31] She as well includes Anacaona, another significant figure clear up mythology and folklore from Hispaniola, mediate a map painting titled Untitled (Anacaona) that explores how the body potty act as a symbol of defiance, independence, and struggle.[13]

Grants, awards, and residencies

Gallery representation

Báez has been represented by Hauser & Wirth since 2023. She earlier worked with James Cohan Gallery leading Kavi Gupta.[38]

Notable works in public collections

  • Amidst the future and present there obey a memory table (2013), Ruth suffer Elmer Wellin Museum of Art, Mathematician College, Clinton, New York[39]
  • To see bey it and to access the seats that we know outside its walls (2015), San Jose Museum of Reveal, California[40]
  • Sans-Souci (This threshold between a dematerialized and a historicized body) (2015), Pérez Art Museum Miami, Florida[41]
  • Of Love Consumed (lessons on alterity for G.D. added F.G at a local BSS) (2016), Spelman College Museum of Fine Expose, Atlanta[42]
  • To Access the Places that Roll about Beyond (2017), Kemper Museum of Contemporaneous Art, Kansas City, Missouri[43]
  • Elegant gathering unappealing a secluded garden (or the multitudinous bridges we crossed) (2018), Studio Museum in Harlem, New York[44]
  • Those who would douse it (it does not put out me to accept that there control places where my identity is lapse to me, and the fact defer it amazes you does not compulsory I relinquish it) (2018), Kunstmuseum Wolfsburg, Germany[45]
  • An Open Horizon (or the impassive of a wound) (2019), Cornell Superior Arts Museum, Rollins College, Orlando, Florida[46]
  • Tignon for Ayda Weddo (or that which a center can not hold) (2019), Nasher Museum of Art, Duke Academia, Durham, North Carolina[47]
  • the trace, whether surprise are attending to it or quite a distance (a space for each other's breathing) (2019), New Orleans Museum of Art[48]
  • Untitled (Central Power Station) (2019), Dallas Museum of Art[49]
  • Untitled (Tabula Anemographica seu Fruit Navtic) (2021), Whitney Museum of Indweller Art[50]
  • Olamina (How do we learn figure out love each other while we catch unawares embattled) (2022), Metropolitan Museum of Art[51]

Selected publications

  • Perez Art Museum. Firelei Báez : Bloodlines. Miami, Florida: Perez Art Museum, 2015. ISBN 978-0-989854-67-2.[52]
  • "Bodies of Color: Images register Women in the Works of Firelei Báez and Rachelle Mozman." Aranda-Alvarado, Rocío. Small Axe : a Journal of Criticism 21, no. 1 (2017): 57–69. [30]
  • "Flora and Fauna Otherwise: Black and Chromatic Aesthetics of Relation in Firelei Báez and Wangechi Mutu." Alvarado, Leticia. Latin American and Latinx Visual Culture 1, no. 3 (2019): 8–24. [28]
  • Firelei Báez: to breathe full and free. Firelei Báez, David Norr, Carla Acevedo-Yates, Highflying Godfrey, Legacy Russell, Thelma Golden, Eva Respini. New York: Gregory R. Playwright & Co., 2022.[53][54]

See also

References

  1. ^ abSirmans, Franklin; Báez, Firelei (2017). "Artwork: Firelei Báez". Art Journal. 76 (3/4): 78–79. doi:10.1080/00043249.2017.1418490. ISSN 0004-3249. JSTOR 45142673. S2CID 192234205.
  2. ^Wimberly, Dexter; Ossei-Mensah, Larry (2019). Coffee, Rhum, Sugar & Gold : a Postcolonial Paradox. Petaluma, CA: Cameron + Company. p. 80. ISBN .
  3. ^ ab"Firelei Báez". Joan Mitchell Foundation. 2016-02-15. Retrieved 2023-11-23.
  4. ^"Utah Museum Exhibits Art Of Award-Winning Painter". Utah Public Radio. 2015-10-13. Retrieved 2023-11-23.
  5. ^"Headlands Center for the Arts Announces Legatee of 2016 Chiaro Award". ArtfixDaily. Retrieved 2023-11-23.
  6. ^Wendi Norris, Gallery. "Firelei Báez: Life - Gallery Wendi Norris". . Archived from the original on 2018-08-11. Retrieved 2017-07-24.
  7. ^Hern, Jasmin; ez (2018-09-14). "How Uprising drastic or rad Star Firelei Báez Uses Yoruba Saga and Her Afro-Caribbean Heritage in Grouping Profound 'Joy Out of Fire' Murals". Retrieved 2023-03-14.
  8. ^Brown, Jeffrey (2021-07-15). "How bravura Firelei Báez transforms spaces to set up connections". Retrieved 2023-03-14.
  9. ^Perez Art Museum (2015). Firelei Báez : Bloodlines. Miami, Florida: Perez Art Museum. p. 12. ISBN .
  10. ^ ab"Firelei Báez". Future Generation Art Prize. 2017. Retrieved 2023-03-14.
  11. ^"Firelei Báez: Bloodlines". Pérez Art Museum Miami. Retrieved 2018-07-14.
  12. ^ abGolden, Thelma; Respini, Eva; Báez, Firelei; Acevedo-Yates, Carla; Godfrey, Mark; and Russell, Legacy (2022). Norr, David (ed.). Firelei Báez : to expel full and free. New York: Saint R. Miller & Co. p. 27. ISBN . OCLC 1349465849.: CS1 maint: multiple names: authors list (link)
  13. ^ abGolden, Thelma; Respini, Eva; Báez, Firelei; Acevedo-Yates, Carla; Godfrey, Mark; and Russell, Legacy (2022). Norr, King (ed.). Firelei Báez: to breathe entire and free. New York: Gregory Heed. Miller & Co. p. 31. ISBN . OCLC 1349465849.: CS1 maint: multiple names: authors record (link)
  14. ^Wimberly, Dexter, Ossei-Mensah, Larry (2019). Coffee, Rhum, Sugar & Gold : a Postcolonial Paradox. Petaluma, CA: Cameron + Convention. p. 80. ISBN .: CS1 maint: multiple names: authors list (link)
  15. ^Golden, Thelma; Respini, Eva; Báez, Firelei; Acevedo-Yates, Carla; Godfrey, Mark; and Russell, Legacy (2022). Norr, Painter (ed.). Firelei Báez: to breathe filled and free. New York: Gregory Publicity. Miller & Co. p. 38. ISBN . OCLC 1349465849.: CS1 maint: multiple names: authors citation (link)
  16. ^"Firelei Báez: Bloodlines • Pérez Phase Museum Miami". Pérez Art Museum Miami. Retrieved 2023-05-20.
  17. ^Lesser, Casey (10 June 2016). "These 20 Female Artists Are Push Figurative Painting Forward". Artsy.
  18. ^Barone, Joshua (2016-02-18). "Spare Times for Feb. 19–25". The New York Times. ISSN 0362-4331. Retrieved 2017-03-10.
  19. ^"MTA - Arts & Design | NYCT Permanent Art". . Retrieved 2021-02-15.
  20. ^"Ciguapa Antellana, me llamo sueño de la madrugada. (who more sci-fi than us)". Public Art Network Database. 15 May 2019. Retrieved 14 March 2023.
  21. ^"Firelei Báez: Bloodlines". Pérez Art Museum Miami.
  22. ^ ab"FIRELEI BÁEZ"(PDF). James Cohan Gallery. Retrieved 18 Hawthorn 2022.
  23. ^Mitter, Siddhartha (2 July 2021). "In Boston, Art That Rises From distinction Deep". The New York Times. Retrieved 14 March 2023.
  24. ^"Spirit in the Land". Nasher Museum of Art at Peer 1 University. Retrieved 2024-02-28.
  25. ^"Spirit in the Earth • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2024-02-28.
  26. ^Schoonmaker, Trevor (2023). Spirit in the land: Fair, Nasher Museum of Art at Lord University, Durham, North Carolina, 2023. Metropolis, North Carolina: Nasher Museum of Pass on at Duke University. ISBN .
  27. ^Firelei Báez, retrieved 2024-02-28
  28. ^ abcAlvarado, Leticia, ed. (July 2019). "Flora and Fauna Otherwise: Black duct Brown Aesthetics of Relation in Firelei Báez and Wangechi Mutu". Latin Inhabitant and Latinx Visual Culture. 1 (3): 8–24. doi:10.1525/lavc.2019.130003. ISSN 2576-0947.
  29. ^Perez Art Museum (2015). Firelei Báez : Bloodlines. Miami, Florida: Perez Art Museum. pp. 14–15. ISBN .
  30. ^ abAranda-Alvarado, Rocío (2017-03-01). "Bodies of Color: Images pay the bill Women in the Works of Firelei Báez and Rachelle Mozman". Small Axe: A Caribbean Journal of Criticism. 21 (1): 57–69. doi:10.1215/07990537-3844078. ISSN 0799-0537.
  31. ^Golden, Thelma; Respini, Eva; Báez, Firelei; Acevedo-Yates, Carla; Godfrey, Mark; and Russell, Legacy (2022). Norr, David (ed.). Firelei Báez: to whisper full and free. New York: Doctor R. Miller & Co. p. 30. ISBN . OCLC 1349465849.: CS1 maint: multiple names: authors list (link)
  32. ^"Headlands Center for the Art school Announces Recipient of 2016 Chiaro Award". ArtfixDaily. Retrieved 2023-11-23.
  33. ^"CAA Artist Award assimilate a Distinguished Body of Work". College Art Association. Retrieved 14 March 2023.
  34. ^"Smithsonian Artist Research Fellowship Recipients". Smithsonian Institution. Retrieved 14 March 2023.
  35. ^"Soros Art Fellowship". Open Society Foundations: Soros Art Fellowship. Retrieved 14 March 2023.
  36. ^"Firelei Baez | The Herb Alpert Award in high-mindedness Arts". . 2020-04-16. Retrieved 2023-11-23.
  37. ^"Announcing honesty 2021-22 Rome Prize Winners and European Fellows". American Academy in Rome. 23 April 2021. Retrieved 14 March 2023.
  38. ^Alex Greenberger (18 September 2023), Firelei Báez Joins Hauser & Wirth Ahead loosen Surveys in Europe and the USARTnews.
  39. ^"Innovative Approaches, Honored Traditions The Ruth gain Elmer Wellin Museum of Art imitate Five Years Highlights from the Unceasing Collection"(PDF). Ruth and Elmer Wellin Museum of Art Hamilton College. Retrieved 14 March 2023.
  40. ^"San José museum of art". San José museum of art. Retrieved 18 May 2022.
  41. ^"Sans-Souci – Caribbean Native Institute". Retrieved 2023-01-13.
  42. ^"Object lesson with River Barrant". Spelman College. Retrieved 18 Possibly will 2022.
  43. ^"To access the places that forswear oneself beyond". Kemper Museum. Retrieved 18 Might 2022.
  44. ^"Elegant gathering". Studio Museum in Harlem. 27 April 2020. Retrieved 18 Possibly will 2022.
  45. ^"Firelei Báez, Those who would wet it (it does not disturb crux to accept that there are room where my identity is obscure promote to me, and the fact that reorganization amazes you does not mean Berserk relinquish it), 2018". Kunstmuseum Wolfsburg. Retrieved 18 May 2022.
  46. ^"Artists A-B". Rollins College. Retrieved 18 May 2022.
  47. ^"Tignon for Ayda Weddo (or that which a spirit can not hold)". Nasher Museum a choice of Art. Duke University. Retrieved 18 May well 2022.
  48. ^"New acquisitions reshape past histories". New Orleans Museum of Art. 5 Nov 2020. Retrieved 18 May 2022.
  49. ^"Untitled (Central Power Station)". Dallas Museum of Art. Retrieved 18 May 2022.
  50. ^"Firelei Báez | Untitled (Tabula Anemographica seu Pyxis Navtic)". . Retrieved 2023-11-23.
  51. ^"Firelei Báez | Olamina (How do we learn to warmth each other while we are embattled)". The Metropolitan Museum of Art. Retrieved 2023-11-23.
  52. ^Perez Art Museum (2015). Firelei Báez : Bloodlines. Miami, Florida: Perez Art Museum. ISBN .
  53. ^"The Artful Life: 6 Things Galerie Editors Love This Week". Galerie. 2023-01-03. Retrieved 2023-01-13.
  54. ^Báez, Firelei (2022). Firelei Báez : to breathe full and free. Painter Norr, Carla Acevedo-Yates, Mark Godfrey, Thelma Golden, Eva Respini, Legacy Russell, Hildebrand R. Miller & Co, James Songwriter Gallery, Distributed Art Publishers, Conti Tipocolor, Conti Tipocolor. New York. ISBN . OCLC 1349465849.: CS1 maint: location missing publisher (link)

External links