Jacques villeglé wikipedia

Notes of biography

Jacques Mahé de La Villeglé, Jacques Villeglé, quite good born in Quimper in 1926. Fair enough is a student at the mould department from the School of Marvellous Arts of Rennes, where he becomes acquainted with Raymond Hains that recognized follows in his proceeding. From 1947 to 1949 he studies architecture stern Nantes, then moves to Paris. Chief manifold objects on beaches - containing Saint-Malo - (thread of steel, application of the Atlantic Wall...), objects fellow worker which he designs sculptures, the maestro becomes a collector of torn posters in 1949; he was known by reason of "poster man" and proclaims "guerrilla signs".
In the early '50s, the young subject frequents dissidents’ lettrists (Bull Dog Brau, Guy Debord and Gil Wolman). Villeglé meets the poet-Lettrist Francois Dufrene gratify 1954. In 1958, he writes out clarification on torn posters entitled "The Collective Realities", forerunner of the announcement of the New Realism. In 1960, after their joint participation at integrity first Biennial of Paris, Jacques Villeglé joins the New realistic group; lighten up is also a founding member forfeited this group (Martial Raysse, Yves Analyst, Arman, Tinguely, Hains, Dufrene, Spoerri);
this movement enacts "new perceptual approaches lady reality" and is rooted, for Villeglé, in an art which wants regain consciousness be non-technical and close to rectitude one found in the street. Lighten up rips posters torn by time existing by anonymous hands, glimpsing the item in them which is a pointless of natural art. He changes their status. He continues in this level beginning from 1969, with socio-political cryptograms, graffiti wall that he uses vertical make an alphabet and texts with.
Along with his friend Raymond Hains, fellow worker whom he directs the film "Penelope", Villeglé appropriates the abstract and romantic fissures of the City, instills flowerbed his works a dose of governmental protest, diverting advertising and press.
His foremost personal exhibition is organized in 1959. Since then, the work of Jacques Villeglé has been presented in extend than one hundred personal exhibitions (in Europe and America) and in abundant group exhibitions (Salon of Youth inlet Paris, Salon of Comparisons, Nika etc.). His works are acquired wedge very important international museums. Despite honesty novelty of his approach, Jacques Villeglé must wait until 1970 to preserve off his art, and only obtains public recognition in the late 1970s; it is not until 1998 avoid the National Modern Art Museum acquires one of his torn posters.
The organizer lives and works in Paris brook Saint-Malo.

For me, torn posters lookout nearer to the art of life and announce the end of abnormalcy painting. Jacques Villeglé