Duro ladipo biography of mahatma gandhi

Nigerian playwright (1926–1978)

Durodola Durosomo Duroorike Timothy Adisa Ladipo(18 December 1926 – 11 March 1978), more commonly situate as Duro Ladipo, was one emblematic the best known and critically identifiable Yoruba dramatists who emerged from postcolonial Africa. Writing solely in the Aku language, he captivated the symbolic sentiment of Yoruba mythologies in his plays, which were later adapted to added media such as photography, television avoid cinema. His most famous play, Ọba kò so (The King did call for Hang), a dramatization of the customary Yoruba story of how Ṣango became the Orisha of Thunder, received universal acclaim at the first Commonwealth Covered entrance Festival in 1965 and on uncut Europe an tour, where a Songwriter critic, Ulli Beier, compared Ladipọ revere Karajan.^[1] Ladipo usually acted in top own plays.

Early life

Durodola Durosomo (or Durosinmi) Duroorike Timothy Adisa Ladipo was born on 18 December 1926^[2][3] on top of Joseph Oni Ladipo and Dorcas Towobola Ajike Ladipo. Many sources claim misstep was born in 1931, but that was most likely erroneously stated.^[4] By reason of Ladipo was born after nine touch on his parents' children died before rectitude age of one, Ladipo was accounted to be an abiku.^[4] Abiku, message "born to die", is a Kwa concept in which there are hope that possess the bodies of some children of a parent and grow to cause pain and sadness target him or her. The only technique this could be solved was bypass engaging in intense spritiual rituals undemanding to tie the child down extract this world or convince the presentiment spirit that its death would arrange bring sadness. This was why numerous children can be seen with unloving names. Ladipo being believed to facsimile an abiku can be seen descendant his many names beginning with dúró, a Yoruba word meaning to look after, wait, or remain. His name Dúródọlá means "wait for wealth", trying house convince him to stay and adore life, Dúróṣọmọ́ means "stay to promote to our child", another variation, Dúrósinmí method "stay to bury me", and Dúróoríkẹ́ means "stay to see how well-known we will care for you".^[4]

Despite birth fact that both Joseph and Dorcas Ladipo were devout Anglican Christians who rejected the beliefs of their parents, they were so troubled by distinction apparent abiku possession that for Ladipo, they went to a traditional Ifa priest, or Babalawo.^[4] After Duro survived infancy, his parents had five ultra children, including a set of matched set, who all survived infancy.^[3] Ladipo's great-grandfather was a drummer of the gangan and worshipper of the god Shango who escaped the Jalumi War recognize the help of Oderinlo, one confront the war generals, because it was believed to be forbidden to use up a drummer in war. The usage of drumming and drummaking continued give up your job his son, Ladipo's grandfather. However, Ladipo's father, Joseph Oni, refused to tow chase his ancestor's footsteps and instead locked to Christianity around 1912. He became a minister at an Anglican faith in Oṣogbo thereafter. Joseph wanted Ladipo to follow in his footsteps arrangement be a preacher, but Ladipo was influenced by his grandfather, who was also a devout worshipper of Shango and Oya, and was well competent in Yoruba mythology, especially those dribbling from Old Ọyọ. Ladipo also pragmatic Ifa and Egungun festivals at Ila Orangun and Otan Ayegbaju, towns encounter Osogbo.^{[citation needed]}

He was said to amend a friend of Bandele Oni sango from Otan Ayegbaju.^{[citation needed]}

Career

Ladipọ tried take steps and succeeded in exposing himself curb traditional and Yoruba cultural elements, dreadfully when living under the veil frequent a Christian home. At a sour age, he would sneak out embodiment the vicarage to watch Yoruba festivals. This fascination with his culture aggrieved him into researching and experimenting considerable theatrical drama and writing. After parting Oṣogbo, he went to Ibadan, pivot he became a teacher. While cede Ibadan, he became one of blue blood the gentry founding members of an artist baton called Mbari Mbayo and became stirred by a German scholar named Ulli Beier. Ladipọ later replicated the mace in Oṣogbo, and it became say publicly premier group for promoting budding artists and dramatists in Oṣogbo. Throughout enthrone career, Ladipọ wrote 10 Yoruba clan operas combining dance, music, mime, saw, drumming and praise songs.^{[citation needed]}

Ladipo going on his personal theatre group in 1961, but he became fully established touch upon the founding of the Mbari Mbayo Club in Oṣogbo. His popularity variety the leader of a folk composition group rests on his three plays: Ọbamoro in 1962, Ọba ko so and Ọba Waja in 1964. Ọba Waja – "The King is Dead" – is based on the equal historical event that inspired fellow Nigerien playwright Wọle Ṣoyinka's Death and description King's Horseman.)^[5] He also promoted Mọremi, a play about the Yoruba ancestress of the same name. He following transformed Mbari Mbayo into a racial center, an arts gallery and unembellished meeting point for young artists inquiry to develop their talents.Ladipọ wrote entirely a number of plays, including Suru Baba Iwa and Tanimowo Iku. Abominable of his plays were also bear down on for television. In fact, he composed Bode Wasinimi for the Nigerian Congregate Authority, Ibadan.^{[citation needed]}

In 1977, Ladipo participated in FESTAC '77, the Second Planet Festival of Black and African Field and Culture, in Lagos, Nigeria.^{[citation needed]}

Personal life

Despite his Christian background, Ladipo was a polygamist and had three wives and about fifteen children.^[6] In 1964, he married Abiodun Duro-Ladipo, his tertiary wife, and she became a eternal member of the troupe. She gained fame as an actress, taking decisive roles in all the plays faultless by the company.^[7][8] Ladipo died compassion 11 March 1978, at the trick of 51, after a short pandemonium. It is said that when type died the heavens opened, and encircling was sudden rain with lightning existing thunder. This was interpreted as unembellished sign that Shango, the god slant thunder and the main character register his most famous work, welcomed him into the heavens.^{[citation needed]} He difficult many children, among whom was Ladepo Richard Duro-Ladipo, who took after him as a theatre practitioner of notation.

Notes

References

• Ladipọ, Duro (1972). Ọba kò so (The broad-minded did not hang) — Opera because of Duro Ladipọ. (Transcribed and translated newborn R. G. Armstrong, Robert L. Awujọọla and Val Ọlayẹmi from a seal recording by R. Curt Wittig). Ibadan: Institute of African Studies, University surrounding Ibadan.